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"Art, freedom and creativity will change society faster than politics."

Victor Pinchuk

Welcome to Clear Day Productions


I regard the theater as the greatest of all art forms, the most immediate way in which a human being can share with another the sense of what it is to be a human being."


- Thornton Wilder

Jennifer Taylor Friedland

Producer


Jennifer is a proud Michigander and moved to New York City in 2002 after graduating from The University of Michigan (A.B., ’97, J.D., ’02) and Harvard University Graduate School of Education (Ed.M., ’99). For twenty years, Jennifer witnessed firsthand the importance of storytelling – first as a matrimonial attorney and later as a child welfare advocate. In 2018, Jennifer founded Clear Day Productions to support bringing soul-stirring stories to the stage. She is a two-time Tony Award® nominated producer and has completed the Commercial Theater Institute's 14-Week Program, the Theatre Resource Unlimited Masterclass Course and is a member of the New York State Bar Association.

Our Team


Joe Hetterly

Associate Producer

Joe Hetterly (he/him/his) is a passionate arts administrator, producer, and teacher who is interested in cultivating equitable spaces for artists to create. His professional expertise is holistic, with experience in commercial theater, the nonprofit sector, casting, education, and at a talent agency. He is currently on the producing team of the hit Broadway revival of GYPSY, works at the Public Theater as their Interim Budgets Manager, and volunteers with the Harriet Tubman Effect as their LanternTix Program Manager. He has worked as a general management assistant at 101 Productions, Ltd., a producing and management associate at Tectonic Theater Project, and in the finance department at Disney Theatrical Group. As an educator, he has taught at SUNY Purchase and NYCDA. BFA acting: Marymount Manhattan College, MFA performing arts management: Brooklyn College.

Vick Liu

Associate Producer

Vick Liu is a Chinese-born, world-traveling theater producer and theatremaker. He received his BA from Minerva University in Art & Literature and New Ventures & Start-Up. In the past, he has worked at Manhattan Theatre Club, New York Stage & Film, and Queensboro Dance Festival. With other peers, he runs Paper Kraine and Entry Level reading series for artists to workshop new work in a safe space. His prior works have been presented in China, San Francisco, and New York. Recent New York producing credits: Three Scenes in the Life of a Trotskyist, The Queen of the Living Room.. 


Projects


Current Productions


Current Productions


Past Productions


Past Productions


Watch


Listen


Press


"Hold your hats and hallelujah, our leading musical tragedienne offers an ultra-dramatic Rose in George C. Wolfe’s Broadway revival."


GYPSY

Read the Review

"It’s marching through it with head up, heart open, and sense of humor intact. The show is smart, witty, tuneful, and teeming with mighty performances. It can’t help having a certain amount of shadow to it: It’s gutting to hear the truths of our past while facing the present, in which the humanity and autonomy of women, nonbinary, and trans folks remain so viciously under attack."


Suffs

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"Well, miracles do happen, even on Broadway. The circus-themed love story, already a novel and a movie, becomes a gorgeously imaginative Broadway musical."


Water for Elephants

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"Alexis Scheer’s vibrant play about four teenage girls, a Ouija board and a narco-terrorist summons the truly scary spirits that keep us awake at night."


My dear dead drug lord

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“It seems as if there is no measure of praise that could be too much; after all, this is a show that allows a Black gay man to be vulnerable onstage without dismissing or fetishizing his trauma, desires and creative ambitions. Now that’s some radical theater.”


a strange loop

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"It is not just the best play to open on Broadway so far this season, but also the most important."


what the constitution means to me

Read the Review

"It’s not easy to make a hardened theater critic squirm in his seat, but I wasn’t sure I had the toughness to withstand the opening scene of “Our Dear Dead Drug Lord,” Alexis Scheer’s critically touted play about the savage secret lives of teenage girls."


my dear dead drug lord

Read the Review

" ...the musical will forever be seen as a milestone for autistic representation and accessibility in theater."


how to dance in Ohio

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" I did something I haven't done since high school. I saved the tickets to forever remind me of the transcendent experience it was."


GYPSY

Read the Article

Award-winning productions


Water for Elephants

2024

Four Drama Desk Awards Including Best Director


Seven Tony Award® Nominations Including Best Musical and Best Director






Suffs

2024

Six Tony Award® Nominations including Best Musical


Tony Award® for Best Book


Tony Award® for Best Score


A Strange Loop

2020

Pulitzer Prize Winner for Drama


Tony Award® for Best Musical


Tony Award® for Best Book

 Michael R. Jackson




Our Dear Dead Drug Lord

2020

Obie Award Winner Best Direction

Whitney White


Obie Award Winner Design

Yu-Hsuan Chen


John Gassner Playwriting Award, Outer Critics Award


What the constitution means to me

2019

 Pulitzer Prize Finalist for Drama


Tony Award® Nominee for Best Play

The Cher Show

2018

Tony Award® for Best Actress in a Musical

Stephanie J. Block


Tony Award® for Costume Design in a Musical

 Bob Mackie




Those Who Can't Perform, Produce!

On a Clear Day You Can see Forever...

Let’s create something meaningful together

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